M
iracles
Most of you know that I love stories, myths, faerie tales, and folklore. I work with them as the primary source material from which the Sacred Arts spring and can best be taught and practiced.
Most of you know that I love stories, myths, faerie tales, and folklore. I work with them as the primary source material from which the Sacred Arts spring and can best be taught and practiced.
Many of the stories I focus on are faerie tales, because they are stories surprisingly and refreshingly made for all the risky, unsafe tough stuff of life. There’s some real medicine in those stories. And so many of these stories are well-known and well-loved, often with a twist or flourish that sets them apart from the “usual” ways of telling.
But the most important stories are all around us. These are stories that happen to us on a daily basis, stories that can – when seen by the right light and told in the just right way – show us not only the blessing, but also the best way to apply it to our life.
Here’s the thing about story. We usually think stories are “fiction”, and “non-fiction” is reserved for facts. But if you look into it, into the stories that really make an impact on your life, I’m willing to bet you’ll agree with me when I say that for the really powerful stories, the ones that make a difference in the way we live, the truer the better. They wouldn’t hit us if they didn’t have that ring of truth. The category that rigidly holds the separation between fiction and non-fiction? Um, not very useful, really, when you get down to brass tacks.
If stories do this, that can only mean there is something in life and experience that calls out for the telling. Every now and then – or even often! – life throws us a curve ball, a swerve, sometimes terrifying, sometimes wondrous, sometimes both – but always worth telling about, always worth remembering, always worth learning and growing from.
The stories I work with in teaching and crafting the Sacred Arts are stories that function like echo or depth-sounding in oceanography.
The greatest stories – and different ones will work for different people – penetrate our depths. They show us that we have untold depths first of all, and then they show us something needed about ourselves. They show us ourselves, or some aspect of ourselves we haven’t yet seen or felt. They make our bones vibrate and our hairs stand on end; we know them when we hear them or read them. They have the power to change us, not simply because they move us, but because they heighten, deepen and sharpen our awareness of ourselves and of life. They nourish our consciousness, which grows as a result – and this growth in consciousness is magic, possesses the actual power to begin unlocking and freeing our soul from those deepest most troublesome patterns, binds and wounds.
All of my work in the Sacred Arts, in a very real way, is about encouraging you to seek out those stories for yourself, the ones that “depth sound” your life.
And what I would love you to grasp, as this week takes us into the deeper than deep Scorpio full moon is this: the experiences and stories that depth-sound us, happen to you too, every single day. So it is that I say: blessed be our ability to listen, to truly listen, to what we see and experience and encounter; blessed be our ability to listen so that we might find our own stories that sound.
I would like to share with you one of mine own stories, one that depth-sounded my life, in exactly the moment I needed it. It is a true story, and is an origin story, showing me the way to the Sacred Arts standpoint from which I now work:
The night I saw the white horse, the moon was small and her light was dim. I had traveled with some of my family out to Fort Davis in West Texas, land at one time known only to the Great Spirit, the Comanche and Apache, and later few intrepid ranchers. And now those who had commandeered the top of a mountain did so under the unquestioned authority of science. And on this mountain, where perhaps one could watch a sunrise and know something of beauty, concrete had been poured and metal bolted down into the flesh of rock as glass-filled spaces where before there was only wind.
This was built in the name of science and for people like me who had poor vision from living in the city and rarely beholding a horizon. Built so that I might look through a lens and get a taste of the sacred and the vast that those who came before us knew as they knew their own breath or the blood dancing under their skin.
A dark moon is best for stargazing. But a small, dim moon will do. I looked through the lenses reflecting and refracting light into the galaxy with her milky thighs, and saw the scars on the moon. I beheld these things and wondered if the others around me—family and strangers—thought as I did that by beholding her scars and perfect light we might somehow better know our own.
The night grew darker and cold with a February wind blowing off the river and through the trees, singing a story of lowing cattle huddled together under the humid warmth of their breath, a story of a springtime full of wildflowers, tender green cactus and good pasture. We drove down the side of the mountain, quiet in wonder at ourselves, at our smallness, our hubris. The steep road twisted and turned until it spat us out onto the single main road running through what would have been another town, known more by the dead than the living, had it not been fueled by the stars.
Now the road was wide and black and the air was blacker still. Out here in God’s country, there are no streetlights; and the few houses we passed held darkened windows. It was late, and jobs being what they were, one got up with the sun and evidently went to bed with it too. And that is when I saw it.
At first I did not know what it was. A white blur in the middle of the broad black way. The powerful beams of the truck illuminated it, but the shape was so far away, that it could have been a woman drunk and crying, a spirit, perhaps even a concentrated and rapidly moving fog bank.
Except even then there was direction, electricity, and purpose. This was a creature and it was headed straight for us. As it neared, I gasped out “horse!” and so it was.
A beautiful animal at least eighteen hands high and in the flash between black and headlight, it was pure white. It swerved, and with eyes rolling, it passe our vehicle and continued galloping down that road, carrying with it a legacy of power, exertion, and grace that came up from behind and stole away the breath.
Overhead was a different light. Not star nor moon, not the glow of the animal itself nor the two bright headlights, but a spotlight from a helicopter looking for the animal. The owner must have been distraught-the horse looked well-cared for and healthy: someone loved it. And perhaps whoever was looking for the animal was concerned about it too – its loss, and the fear that travels in the wake of loss like a knife laid against the thin skin of your chest.
I want to believe it was not simply leather-handed men and women worried that a rogue horse with such power and at a full gallop could cause a wreck, or a death, or could damage something or someone and result in the spending of money. I choose to believe that they cared for both creature and family-desiring to put their job-calloused hands to the work of touching, repairing, healing and reuniting. I wanted it too, for inside the glass and steel vehicle, so like the glass and concrete observatory on the mountain, I had felt the eye-rolling fear, the steaming breath smelling like clover once warmed under a gentle sun, now covered with dust. But I felt also the thrill.
Oh, to run!
To run straight for the other side of the knife we call fear, cutting a trail made of celestial dust and star-fire blazing forth, so that those with courage might follow it to something new and unknown. The white horse was running, and I wanted it to run into the night, into what stretches beyond broken people and fractured places, where it is dark, and whole, and wild.
Under the light of the magical Scorpio Moon, with your divination tool of choice consider asking:
What are my depth-sounding stories?
What would change if I did listen to it, or share it with others?
Of course we see the presence of Gemini in the fact that as the story unfolds the twins are going to discover who they really are, they will learn, but we also see it in the realm of partnerships. Who are the people and what are the activities that you are engaged with and in throughout the course of your life? What and who are you closest to and what matters most about your friendship? Gemini is interested in getting to the essence and communicating that essence out into the world.
The Twins of Gemini ask us to revisit the fact that humans are also animals and to examine what seems to set us apart. Gemini focuses on our unique intellect and the duality of our human-animal nature. We know that humans are not the only species of animal that have self-awareness, a highly developed intelligence, the ability to communicate, or express feelings and empathy. These traits in general do not make human animals unique; many other species possess these characteristics to varying degrees. What makes the human animal unique from other animals is the same thing that makes all creatures unique from each other – how we develop and use those traits.
Sara Magnuson is a crafter of spiritual supplies, a reader of cards, a diviner of animals, and the co-founder of 
