Hearth and Home Vol. 16 Battery Sufficiently Charged

Uncategorized

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iracles, sufficiently

Happy New Moon in Virgo!

I wake up early, a handful of hours before everyone else so that I can think and write, pray and drink coffee in the darkness and the quiet.

One of the first things I do is plug in my phone, which is usually on its last leg after the previous day’s phone calls, text messages, email checking, and news perusing. After I complete my morning rituals, I am greeted by the above message: “battery sufficiently charged.”

I especially like the modifying adverb sufficiently in this notification. This adverb is an early morning reminder that things don’t have to be perfect, they can be sufficient – and that sufficiency has its own beautiful perfection. Things can be, as I wrote in the book, just right.

Our time in New Mexico was sufficient, and we felt the push-pull that one feels on a longer vacation of wanting to stay longer, but also being ready to return home, even with the stifling heat and the crazy that is the few days leading up to the first day of school.

This year was a milestone for both boys. Jasper started the 2nd grade and Heath, our 14 month old, started going to his little day-school twice a week for half days.

David and I received a pleasant little surprise on the first day of Jasper’s school, which turned out to be Heath’s first day too. What started as a trip to Heath’s school to get paperwork, ended with the happy little one year old trundling off to the water pools with his teacher.

Monday turned out to be his scheduled day for fun, so we were in business. We looked at each other, much as, I imagine, parents do when they send their last child off to college or to work or to travel and are faced with an empty house, but we burst out laughing, feeling at the same time a little bereft and shocked, but totally elated.

A whole year and change have gone by since we introduced him to the world. Our life is back (sort of!) We went (floated in the sky, it felt like) to breakfast and had adult conversations that were not interrupted by feeding babies or wiping away spilled water, or hearing the latest knock-knock jokes. We went to breakfast to be together and hold hands and talk about…the kids. We totally talked about the kids! Of course, we did!

The new-found space of having both of the little ones in school was timed perfectly. I am knee-deep in writing, planning a magical retreat in Italy that I am SO excited for, and preparing for all of the astro magic of 2020 – get a sneak peek here.

David is editing and being an engaged dad to our little boys, making art and filling our home with music and doing a million other things too. And we are relishing the hours we have together.

There could always be more…more time, more space, more energy, but chasing after more is also so very exhausting. It feels better to actually enjoy where we are right now, to know and feel that right here is enough, sufficient, and just right.

So this Hearth and Home is for those of you who always feel behind or not quite up to par, or like your best efforts still come in somewhere around the middle of the heap: see if there isn’t something about your efforts that is sufficient, and that you are enough, exactly as you are, right here, and right now.

xo,
Bri

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.

Hearth and Home Vol. 11 The Angel’s Share

Foundations

M

iracles,

Happy and blessed New Moon in Capricorn! This is a moon for business and strategy, plotting and planning. It falls at the beginning of the New Year when everyone is all about planning anyway. Our visions of sugar plums have been replaced by bullet journaling, filofaxes, the magic that is JetPens, and of course the Sacred Arts Book of Hours.

I love planning and planners. I always have. My Venus is in Virgo which means that organization is like catnip for me. I especially love working with astrology and planning by starlight. Years ago, when I was pregnant with Jasper, our oldest, one of my colleagues asked me how I was doing everything that I did. I was over 6 months pregnant and my business was exploding with both one-on-one work and teaching. My response? A ruthlessly organized and followed calendar. Plotting everything out and physically making time for each thing on my calendar – and then actually following through with it – allowed me to grow my business while also fostering the growth of a baby.

At the end of 2017, when I knew I was pregnant with our second child and had a book deal (and therefore a book to write) in my hot little hand, I realized that I needed to take planning to a whole new level. You name it, and not only did I have it on my calendar, I had auto-scheduled it in my email server and on social media. Every “t“ was crossed and every “i” was dotted, and everything had been triple checked by myself and my team.

Whew. Does it sound exhausting? Planning actually doesn’t have to be. It is very clear to me that I could not have done everything that I did in 2018 if I had not allowed some very well made plans to shape and inspire my work. Yes, inspire! Planning has given me the time and space that I needed to write my book and be with my little guys, the time I took to make and plot them was time incredibly well spent.

For those of us who never feel like we have the time or space to do what our heart longs for – actually being able to have the time and space is sometimes all you need to catch the scent of the wild animal we call magic. As sacred artists, then, I think it’s high time we give the art and practice of planning it’s proper place…as a much needed sacred art in the 21st century.

After one of the most exciting years for me both personally and professionally, does it surprise you to hear that my New Year’s Resolution is to slow down in the right way and not plan things in detail? On the one hand, this is hilarious…I have a book coming out this year. I will be traveling some to promote it, teaching classes, and I have a whole bunch of new exciting things to share with you all. Plus, Heath will turn one this year. Those of you who know young children know that this means he will start walking and talking. And if Jasper at one was any indication, that means that all of the silverware in my household has to go up on the counters – especially the knives – and all the outlets have to be plugged up VERY securely. So…slow down? Ha!

But I am. In the right way, and this is key. And for me, part of that means – gulp! – not planning everything down to the tiniest detail. There are several reasons for this. This article gave one good one that has to do with productivity and the endless, ceaseless, calls to be more productive (whatever that means) and how they are a bit, or a lot, tyrannical.

Plans are sneaky. You create them, and you feel in charge. But they have a way of turning that around – so that you are tempted to stay on task and keep to the plan even when that doesn’t feel right, even when that isn’t really in alignment with what you are focused on or what your community is asking for. This did not happen to me. In the middle of one of my busiest periods last year I heard a clear call to offer up a certain kind of magic – a healing kind – to the community. It involved consecrating crystals over a full moon cycle and sending out readings to those who needed them and I had ZERO time for it, but I did it because I heard the call. And when I learned that there were some people in our community healing from heartbreak and cancer and physical abuse…well, it made sense and affirmed what I have always known which is that my Holy Helpers know better than I do. So I listened and responded.

But it was hard, harder than it should have been, because my plans had gone from creating more space, freedom, and time, to locking me into routines and commitments that did not allow much room for spontaneity and the magic of the unexpected. Making room for the unexpected is something I am devoted to – I think in our world and maybe in all worlds, we have to be. The unexpected illness, playdate, gallery opening, writing opportunity, teaching engagement, friend from out of town who bought a surprise plane ticket and showed up, job loss, financial hit – the unexpected is the thread shot through with the glitter and the grit that makes the warp and weft of our lives so very interesting and precious. In whiskey making there is a term to explain the 2% loss of liquid that occurs during the ageing process (usually occurring in wooden barrels), it is known as the Angel’s Share – this is the offering up of whiskey that is made to the angels (or if you talk to old whiskey makers from old parts of the world, the faeries). It is not perceived as a loss but rather an offering.

So I am doing the same thing with my plans for 2019 in the name of slowing down in the right way. This is where planning is lifted to a whole new level – from a compulsive activity to a genuine art. Plans will have to be made, charted and plotted. But there will also be spaces left clear and clean and unfilled. In the name of creativity, spontaneity, and the unexpected. I’m leaving spaces open so that I can hear what I need to hear, know what I need to know, and do what I need to do…for myself and my family and for our greater community. Think of it as an offering to the angels and the faeries, the glitter and the grit.

Bri

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.

Protected: Balancing Acts

Ceremony and Ritual

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What are your favorite ways of celebrating the Equinox?

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.

Hearth and Home, Vol. 5: A Little Bit of This, A Little Bit of That

Uncategorized

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iracles,

Happy upcoming New Moon in Cancer! If you need a blessing for this New Moon I have one for you right here – it is all about the ways that we can honor our armor. This New Moon finds our family getting ready to make our annual pilgrimage to the blood red mountains of Northern New Mexico where we will spend the next few weeks.

So as I have been packing and doing laundry (so. much. laundry.) and gathering various bits and bobs that will be needed during our trip I wanted to share a few gathered loose ends with all of you that may have gotten lost in the excitement of baby-having and book writing.

First things first though – the family update. Heath is doing beautifully. Thanks in no small part to all of you and your beautiful prayers and well-wishes for him and for us. Jasper, our seven year old, maintains his position as best big brother EVER, and Heath is full of snuggles and love. He has started cooing and focusing more with his uncanny blue eyes, and he loves nothing more than to snuggle (preferably against my chest for all the obvious reasons). We are looking forward to the cooler weather in New Mexico and the opportunity to do some hiking and exploring with our sweet boys!

Our animals have been so interesting to watch with the new baby. Each one of them guards him in their own special way. The cats circle around him, especially if he is fussy, trying their best to soothe him with their purrs and the dog will come and get me anytime anything seems slightly amiss. (Speaking of cats, that is Hades, our beautiful black boy, lounging on the bed that my mom brought for the dog…yeah, we see how well that worked out).

Since we are on the topic of animals, I have some exciting news to share. Earlier this Spring I was invited to contribute to an anthology that will be released in 2019 from Sounds True – the Karma of Cats! Dog-lovers don’t be jealous, Sounds True released the Dharma of Dogs awhile ago. This is an anthology where various writers, spiritual teachers, and animal lovers were invited to share the lessons they have learned from their feline friends. I was honored to be included and look very much forward to introducing the world to Hades and Aphrodite, two kittens that came to our family in the wake of Hurricane Harvey.

Another exciting tidbit is this little podcast I recorded with Theresa Reed aka The Tarot Lady on how to cleanse and bless your Tarot decks. Enjoy it and as always let me know if you have questions.

We have entered into the launch season for Spinning Gold! The course is not officially open until August 7th but through the months of July and August we are sharing samples of the wonderful guest teachings that are new to this year’s program – so much goodness here. You can get a taste of Spinning Gold and check out the guest teachers yourself by signing up for the mailing list here.

I’m still taking time off and won’t be back full time to work or social media until August, my plan for the next four weeks is to fully enjoy the depths of summer and embrace this magical and liminal time. Wishing a gorgeous season to all of you too!

In love and blessings always,
Bri

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.

Hold On, Hold Close, Hold Together

Foundations

M

iracles,

Like millions over the season, I have seen the new Star Wars movie, not once but twice. (If there was ever a job description for “mom of a six year old boy” – this would very likely be at the top of the list.) It is my favorite Star Wars so far, in large part because the core conflict of past Star Wars (dark vs. light) has given way to a more interesting and, I think, more relevant conflict of new vs. old and, in a parallel argument, hopelessness vs. hope.

As I thought and felt into what words our community of Soulful Seekers might need to hear at this moment, I kept coming back to these themes: old vs. new, hopelessness vs. hope. And then, when I saw them writ large on the screen, I knew it was time to write about them. Of course, the truth is that I see them, we see them, everywhere, and that this popular film, meant for entertainment, in fact embodies not a few of our struggles.

Our culture’s wholehearted embrace of new technology, convenience, and efficiency is one of the most obvious places we see what is New accepted and what is deemed Old jettisoned off to the side – as we forget, even to our own detriment, to ask old essential questions about trust, goodness, truth, and excellence. Much of our political rhetoric is pitched as Old vs. New, “Conservative” vs. “Progressive” and so often seems to miss the point. Before either category, we are people, daughter, son, sister, brother, lover, mother, father, and friend, whose ideas and words have the power to make blood flow or the power to staunch wounds.

We can even see the Old vs. New and the Hope vs. Hopelessness motif playing out astrologically as Pluto, planet of deep transformation, is joined by Saturn, planet of conserving old ways, in the sign of Capricorn, which speaks to our most powerful, stabilizing, often corrupt and in many cases highly beneficial institutions. We all feel this movement and the sea change it anticipates.

And I see it personally. Every year as the Old Year dies and the New Year is born, it seems that everyone is thrilled at the possibility of a fresh start, a blank page, a new chapter – I feel that thrill too! – but all too often, in our haste towards the new and uncharted, we are willing to leave everything from the past, from the Old Year at the threshold, not discerning the lessons, actions, thoughts, feelings, and experiences that are worthy and worthwhile and should be carried with us into the next year, and the next, and the next – perhaps carried for the rest of our lives, perhaps not, but definitely held onto for now.

Don’t get me wrong. I absolutely think culling and banishing are essential at this time (which is why I created a community ceremony to do just that) and throughout the year. What I am advocating for is a selective, intelligent, and courageous, approach to the magical and sacred act of banishing.

A few days back, I was talking to my oldest friend, someone I’ve known since second grade. He is a now successful choreographer, director, and librettist, who works all over the country putting together plays, musicals, and operas. We were catching up after 15 years of not seeing each other, and reflecting on where we have come since we were eight years old. We both observed that none of our successes have been simply good and none of our failures have been simply bad. This is not a new thought – you know it to be so in your own life too. When you consider what to release and what to hold onto, remember this. Not every bright moment needs to be carried forth and not every pain or struggle needs to be set down and immediately escaped. They are all teachers.

Without spoiling the moment for those who have not yet donned their lightsabers, what I can say is that in the film The Last Jedi, there is a dramatic moment that clearly says: this is not working. This way of holding things, Old vs. New, Hope vs. Hopelessness? At the end of the day it does nothing but pull us apart. We can see this politically, as the arguments get louder and the listening (especially to voices that have different thoughts and opinions from our own) diminishes. We see it personally as we drop the Old in favor of the New and say ‘this year everything will be different’ again, and again, and again until the whole thing, well, gets kind of old. Oh, the irony.

The conflicts need to be re-framed; which is to say, we need a deeper and clearer understanding of them. The New without the Old is unrooted and unmoored. It lacks consciousness of lineage, which also means that in a very real way it lacks vision and clear direction. The Old without the New is ossified tradition for tradition’s sake that, at worst, breeds ignorance and superstition, and at best is not open to the spirit of a thing, but only the form. Either one without the other is downright dangerous…politically, personally, and spiritually. The same is true for hope and hopelessness. To only have hope and to see the world through rose colored glasses is to ignore much suffering and that in itself is a cruel act. To only feel hopelessness (something more and more voices have advocated for recently) is to act fundamentally from a place of fear and wrath, not love and courage. And we have all seen what happens when we only act from fear or anger.

So what to do? How to understand this in a way that makes better sense? How to put it together so that we ourselves are also more together? As usual I suggest we get literal with it. I envision the New Year as a baby. I see a robust and healthy little baby boy – who is carried in the strong arms of an old woman. To me she is Hekate, radiant Crone Goddess and midwife whose “crime” that got her kicked off of Mount Olympus was daring to cherish all children, all new life, no matter their parentage and no matter their imperfections. Old and New coming together, carrying time forward once more.

Maybe for you it is found in the strong affinity that the Old and the New have for each other, how they enrich and enliven and season each other. I think of my how own son carries a special love for his Nana, my grandmother – now in her 80’s – who loves babies and little children and her great grandchildren in the way that only a Nana can.

And you can reflect on your own life too. Are the actions and accomplishments, dreams and desires you wish to summon up in 2018 more likely to occur if they are informed by your past, if they are woven into your full story? We do not need to carry everything with us as we go forward, but we also do not need to feel as if everything must go either; just as we can know that feeling hopelessness at times does not preclude us from living from a place of hope.

There will always be tension between opposing forces, whether they be Old and New, Hope and Hopelessness, or a thousand other oppositions that we could conceive. Some spiritual teachers advocate for a resolution of all tension, dissolving difference into single unity, and for letting go as radically as possible. I do not. Not only do I find that this approach does not work in day-to-day life, but I find that our differences, our specificity and particularities – and that includes the uniqueness of our manifold stories – are essential to who we are, to how we are, and I think our actual experience resists attempts to smooth out and down all rough edges.

But I do know this about tension. The tension is a force that can destroy, break apart, and sever forever. And it is also a force that is required to fly, to soar, to fall in love, to flourish, and to create anything. Rather than letting go, perhaps we ought to try a new direction, to seek to learn how to hold that tension in a more beneficial, useful and creative way. The solution would not be to choose Old or New, Hope or Hopelessness, but instead choose to find a way to hold both, together, as we hold of our parts together, and as we hold onto one another. It will not be easy. But this, then, is my wish for the New Year, carried by the Old – may we learn what it means to hold on, hold close, hold together and may we do it beautifully and well.

In love and blessings always,
Bri

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.

The Baba Yaga, Creativity and Time

Learning and Community

D

ear Miracles,

One of the most frequently asked questions I receive from people interested in taking Spinning Gold is: how much time will it take? Perhaps you’ve heard me say before that any teacher you consider working with should be willing to learn from her own experience and to change her mind when appropriate.

My response to this question has changed over the three years that I have run the program. The best way I can answer the question is: the rest of your life.

Because, seriously, that’s what we are talking about when it comes to the Sacred Arts. These traditions and practices are ancient. They were, in many cases, the first witnesses to culture being created by our long-ago people.

When we devote ourselves to learning the Sacred Arts and working with the primary source material of myth and fairy tale from which they spring, we are devoting ourselves to a life-long project.

Ghandi spoke the following words, springing from a deep tradition of Sacred Arts practice, which speaks directly to what I’m getting at here:

Learn as though you were to live forever, live as though you were to die tomorrow.

Anyone who has worked with fairy tales and myth will tell you that the stories grow in their influence and impact on your life as time moves forward. And anyone who has made a serious study and practice of any of the Sacred Arts will say the same – the more we discover the more uncharted terrain we see that there is to explore.

So that is my best answer. This is a lifetime commitment. Not to me, and not even to the program per se – although current and past students do receive lifetime access to the material – but to yourself. Your are committed to your insights, your discoveries, your bone deep knowing, and most of all to your experience of enchantment for the rest of your life. It’s a pretty good match, one that allows you to experience every single day as more full of magic, not less!

It is popular to say in our uber busy world that a program will change your life in 5 minutes, 2 hours, 10 seconds a day – much like the attitude towards online learning in general.

This promise of little effort and maximum results can yield a sexily high market share. But only for awhile. Two things happen almost immediately: the first is that people catch on. And the second is that you start to notice that whatever it is you are producing – your creative vision, strategic plan, or new venture, reflects the paltry amount of time put into it.

Time is required for you to do your best work no matter what it is and time is required for the things that really matter to you in your life.

A wonderful illustration of this can be found in the third story we work with in Spinning Gold. The Baba Yaga is an Eastern European and Russian story steeped in the wide mountain ranges and deep forests of that area. The old Baba Yaga herself (as I was taught she is always the Baba Yaga and not just Baba Yaga) is the million year old woman who created the world. She speaks to the Sacred Art of Lineage and Legacy – that is the ability to connect with, learn from, and know your past history and stories as well as ability to envision, create, and call-forward your future possibilities. In other words, her hands are quite full. And the Baba Yaga takes her time – literally.

For at three different points in the story a knight in shining armor on a white horse, red horse, and black horse consecutively comes busting out of the Baba Yaga’s chicken-footed house and rides headlong into the deep woods. We later learn that these strange knights who seem in some ways tangential to the rest of the story are actually the hours of the day.

The white horse represents Dawn and all of the hours from Dawn until Noon. The red horse represents noon tide and all of the hours between Noon and Midnight. And the black horse riding knight is Midnight and all of the hours between Midnight and Dawn. That scratches the surface of this part of the tale – for red, black, and white are traditional ceremonial colors associated with many medicines as are horses and as are the helper figures of knights.

But what I want to impress upon you all today is that the Baba Yaga who is a deeply creative force keeps her time close to her. She does not fritter it away, spend it all in one place, or give it up and over easily to someone or something else.

This is only one tiny learning from the Baba Yaga; there is so much more as Spinning Gold students will find.

Everyone who is drawn to Spinning Gold has a rich inner life including dreams and visions that they want to bring into the world here and now. Many of the students within the program and those considering the program already have some kind of daily practice which they wish to deepen. All students care about learning more when it comes to the Sacred Arts – and the truth is that this takes, time as any meaningful, creative work does.

Practically speaking, to keep up with the program it is a good idea to allow 3-4 hours a week of study time, plus 5-10 minutes a day for your daily practice. And just as the Baba Yaga has a life that supports her relationship with time, so too will you be supported in your Spinning Gold journey – by the Spinning Gold alumni who have walked the road that you are walking, in our private facebook group, by the course caretakers and guest teachers, and by me – through the optional one-on-one meetings, the weekly office hours, and the teaching calls.

Another way that we deeply support you? Alumni and this year’s students will have lifetime access to Spinning Gold– that means that you can (and most do) take the course again and again to deep their journey. (Full disclosure: as Spinning Gold grows and changes I do not know if the lifetime access part will remain; to make sure that you have it, I do recommend signing up this year. That’s not a strong arming sales tactic – just the truth).

At the end of the day, making the time for an intensive study and practice of the Sacred Arts and what it means to live an enchanted life is up to you, but myself and my team want to support you in every way that we can. And as it turns out, making the time is a good habit to cultivate across the board not just when it comes to Spinning Gold. In fact, creative people talk all of the time about how you have to make the time to do the work that you really want to do. Case in point? Our next guest teacher.

Najah Lightfoot is a new guest teacher this year, added to our growing group of Sacred Artists in the Spinning Gold Resource Library. Like The Baba Yaga, Najah is a witch and rootworker who possesses a unique perspective on time and creativity – she is also a published author with Llewelyn publishing company and is working on her first book! She shares with us her journey from wanting to do something creative and meaningful to actually doing it, and talks about what was required along the way….listen to a clip here!

In love and magic~
Bri

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.

Fairytales and the Enchanted Body

Spinning Gold

M

iracles,

Your body is just an illusion — these are the beginning lines of a very popular ad that keeps showing up in my Facebook stream. It goes on to talk about how feelings are “only” stories, and how our perception of our body can easily be reduced to neural hard wiring. As I read the copy, I keep thinking that I am getting something wrong, but I’m not.

Our bodies.

Our blessed, beautiful, bodies. Lordy, have they been through the ringer. Our bodies that let us move and dance, laugh and cry, tremble in fear and in ecstasy, jump and clap and snap to music, sway our hips and shimmy our shoulders; they are our first allies, our beloved companions; our bodies are our first altar place of devotion, physical shrines of blood, flesh, muscle and bone built for honoring.

And yet. Ads such as the one that I have seen are very common. And not just in the dominant culture where we would expect to see such nonsense. Body shamings, body bashing, and body discounting (most insidious of all) are all there to be seen in our spiritual and soulful communities too. They are more subtle, but you have probably run up against it before: the notion that if you were really doing things right or aligned with the highest vibration you would be such and such a size (with a bank account to match!) or the notion (dreadfully common) that you are physically sick because of some spiritual hang-up (as opposed to the understanding that your body is not static and like anything else ALIVE has moments of health and moments of illness and every wonderful thing in between).

This misunderstanding and neglect of the body, and the central role that it plays in our lives and in our soulful seeking, is one of the reasons that I have included physical Sacred Arts practices within each module of Spinning Gold – because when we physically do something we embody our practice, and when we can embody our practice, we begin to actually see, respond to, and enter into in a better relationship with our body, as well as spirit, as well as soul.

Many members of my own Sacred Arts community, both among the alumni of Spinning Gold and also in the community more generally, deal with some tough physical limitations.

Whether it is a case of chronic fatigue, auto-immune disorders, or physical pain and loss of mobility, some of the most rewarding work I have been privileged to do is to sit side-by-side with people who have been forced to get to know and honor their bodies due to unusual external circumstances. They are wise beyond belief, and have taught me so very much.

One of the deepest lessons is this: no one who experiences serious physical limitation will ever tell you that the body is a mere illusion. What we experience is real, limitations are real, and what is inside of us – our voices and hearts within – that cry out for freedom, for wholeness and healing, this too is no mere illusion, but is, rather, one of the most for-real things about us.

The nature of story and storytelling itself is deeply entwined in the body – for voice itself, whether spoken or not, is unimaginable without the support of body. Within fairy tales in particular, the body plays a special role, for marvelous and terrible things happen to bodies in these tales. They turn into birds. They are placed into iron hot shoes and made to dance until they drop. They make love to stars. They talk to fishes, cats, and wolves. They hold little ones who are afraid, or they wrangle daring escapes. They die and with true love’s kiss come back to life once more. All things rich and strange happen to bodies in stories just as they do in every day life and this reminds us that the reality of body for us is a great mystery and question. The body is not an illusion but it is a source for illustration ~ for the ever-changing body is one of many gates opening up to the pathway in between the worlds; the one that leads straight to real magic.

One fairy tale stands out above all others when it comes to delighting in the body and speaking with wisdom, and that is the Ballad of Tam Lin.

The Sacred Art that Tam Lin speaks especially profoundly to is Alchemy and Magic and the virtue or native power of Love. We see all of these come to bear at the climax of the tale when the faerie knight Tam Lin changes from one form into another, while his lover Janet holds onto him. Wolf and Bear, Lion, and hot iron bar, Janet holds on as her lover transforms until finally he returns to his true state – that of a naked human being.

It is her love that allows her to hold on, her love that allows her to see the transformations for what they really are: exaggerated illustrations of what every body does – transform, each and every day. It is a physically riveting tale – one about bodies that reminds us that the best magic is embodied, and that we best weave enchantment into this world here and now by giving our body a place of honor within our Sacred Arts practices.

As I mentioned, each Spinning Gold module includes multiple Sacred Arts acts and crafts, and in Module One when we encounter Tam Lin and fair Janet, I share one of my favorite kitchen magics with you – the humble yet effective sacred vessel known as a salt jar. Here is one set of instructions on how to create one for yourself – it is a wonderful activity and allows you to get physical with your magic making.

Get to Know the Spinning Gold Guest Teachers for 2017-18!

When it comes to having an embodied practice of the Sacred, no one does it better than my dear friend Myra Krien. Myra is an exquisite belly dancer based in Santa Fe, and a gorgeous soul. Lineage is important to Myra’s own path – she is the granddaughter of Alan Watts, and – even more significant for her own path – the great granddaughter of Ruth Fuller Sasaki, a woman who was a trailblazer in bringing Buddhism to America.

I love her dearly and am deeply honored to have her wisdom included among our Spinning Gold guest teachers. Myra also has a lot of wisdom to share about how we come to know our singular, exceptional bodies…Listen to a clip of our conversation here!

magic, miracles: receive my lunar letters

ARRIVING on full moons each month.